THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN ENTERTAINMENT JANUARY / FEBRUARY 2021 E11EVEN MIAMI A deep-dive into the state-of-the-art audio, lighting and visual technology at the one-of-a-kind ultraclub. HOUSES OF WORSHIP We take a closer look at the innovative uses of technology in churches, synagogues and mosques. MOVING HEADS A round-up of the latest lighting fixtures. mondodr.com | mondostadia.com | mondodrawards.com/emea-apac | mondodrawards.com/americas | mondostadia-agora.com

CONTENT 76 TRENDS 36 76 How to create atmosphere with simple steps Stream on The connection between event technology and gaming and streaming 42 REPORTS 08 14 42 30 Leut´bar in Aschaffenburg relies on sound rein- forcement with CELTO 25 years OMNITRONIC A quarter of a century of “technology designed for pleasure” Castle garden in new light for calendar about Erlangen 62 EUROLITE celebrates 30th birthday 26 32 52 INTERVIEWS Interview with engineer Klaus Köberle 14 From start-up to global company Interview with Christian Hertel from MADRIX (Inoage) Covid-19: Crisis or opportunity? Interview with Maximilian Kuhbandner from the creative agency Yuper

NEWS EUROLITE LED Mini Z-20 USB Beam Effect EUROLITE LED PST-10 QCL Spot With the LED Mini Z-20 USB Beam Effect and the LED PST-10 QCL Spot EUROLITE sends suitable effects for smaller events and the home party basement into the race. The devices are quickly set up and put into operation. Despite their small size, they deliver a good lighting performance. Both effects have music control via a built-in microphone. 4 PRODUCTS

EUROLITE Theatre 200 Series For theaters and much more, the spots of the Theatre-200 series are suitable: The series offers 3 different types of spotlights: there is a pure warm white version, a ver- sion with cool white and warm white LEDs, where you can freely regulate the color temperature, and a colored version with red, green, blue and warm white. The lat- ter allows for a wide range of bright colors, as well as a very good warm white light that looks natural even on human skin. As the number in the name suggests, the bu- ilt-in LED type in all versions has a power of 200 watts. The white light versions offer a very high color ren- dering index, the spotlights are equipped with a quiet fan and have a smooth dimming curve. Ideal, there- fore, for stages that have to cope with a smaller bud- get, but still do not want to do without high-quality light. With stages, despite the name, not only theater stages are meant: Also on concert and show stages, in Two optional diffuser covers are available to widen the light also available. The series features P-Con in and out termi- nals for convenient power cabling, 3-pin DMX jacks and USB QuickDMX ports for wireless DMX and Master/Slave use. LED theatre spot with warm white 200 W COB LED LED Theatre spot with 200 W COB LED, WW/CW LED theatre spot with 200 W COB LED, RGB+WW PRODUCTS

30 LEUT´BAR ASCHAFFENBURG NEW LOCATION, NEW SOUND! The year 2020 brought a move for the team of 30 Leut‘Bar around owner Dirk Janssen: In autumn, the bar moved into a new building di- rectly at the Floßhafen in Aschaffenburg. In the new location, speakers from CELTO Acoustique and controllers come from OMNITRONIC. 8 REPORTS

OMNITRONIC CSX series Ideal for restaurants, retail stores IP 65 OMNITRONIC OD series* Compact mixing amplifiers for ELA systems (100 volts) OMNITRONIC CPE and CPZ series 2 PRODUCTS OMNITRONIC CPE series OMNITRONIC CPZ series Dimensions (WxDxH):

n a s lo a rte r of a c e n t u r y » g o v e r, n u p n o w … u e e n a gin e d v a rie ty b e t w s m A q o d c h ild r e n’s r o d h t a n h e c old w p s p r o vid e d di m lig d a y ? T n i m u t h c e n te rs a n u sly u g o f life in t h e 9 0 s t o u c e d a p r e vio « All g ro w p e d w it h in fla ta b le s o fa s in b lu e o r pin k, la v a la o. Y o n t h e r a dio. d te c h p c u lt u r e p r o b e r t h e fe elin n k a n a c a r e n a ” o d p m p e n a n n Tr e e ” alte r n a te d w it h “ M o y b a n g e, b a r w p, p o o d p m n d u e m u still r e a s o o rld w n o y o p, g r u t h e w u ip h ip -h e r e e q w m “ L e o o D 2

Rimini 1998 OMNITRONIC spea- First scratchable CD player on the European market In 2001, the new century had just begun, OMNITRONIC player on the market, the device of the young brand ended up in thousands of discotheques, youth clubs and living rooms of ambitious DJs. OMNITRONIC DJS-1100 4

#WIN Over the years, OMNITRONIC has remained true to its origi- nal ideal - technology for everyone, at affordable prices - and the pulse of the times, which have found their way into youth centers, discotheques, clubs and studios. Thus, after teething problems in 2015, the TRM-202 analog rotary mixer quickly became a highly sought-after toy for electro-enthusiastic DJs. Sold out several times, the mixer now enjoys great popularity in its third edition. #WIN TRM-202 RAFFLE For its 25th birthday, the OMNITRONIC team has therefore come up with something very special: The popular mixers TRM-202 MK3 and TRM-402 are available in a strictly limit- ed edition in anniversary design with golden print and suit- able Omniwoodkit. And this is what you have to do to win one of redaktion@movemagazin.de by 07/30/2021 at the latest and tell us why you want to win the mixer!* *Terms of the competition: Eligible to participate are natural per- sons who have reached the age of 18. Participation is not limited to custom- ers of Steinigke Showtechnic and is not dependent on the purchase of goods or services. The competition ends on July 30, 2021. The winner will be informed by e-mail. all persons involved in the conception and ees of Steinigke Showtechnic as well as their family members. In addition, the operator reserves the right to exclude persons from participation at its own for example (a) in the event of manip- ulation in connection with access to or implementation of the sweepstake, (b) in the event of violations of these con- ditions of participation, (c) in the event of unfair actions or (d) in the event of false or misleading information in connection with participation in the sweepstake.

TRM AROUND THE WORLD 4-channel rotary mixer with 3-band frequency iso- lator for DJs DJ Name: Alex Guittini Location: Seven Lounge, Lugano Country: Switzerland 20 PRODUCTS

2-channel rotary mixer with 3-band frequency isolator for DJs DJ Name: Groove Manila DJs (DJ Jason Soong, DJ Manolet Dario, DJ Abdel Aziz, DJ Sky and DJ Angelo de Dios) Location: Tagaytay City & Manila Yacht Club Country: Philippines 22 PRODUCTS

DN14.300T Engineered to compete at the highest level, DN14.300T adopts the LAVOCE Next Generation HF design approach and incorporates our patented Integral Input Surface phase plug topology, creating a high flux density 1.4” exit neodymium compression driver with evident low distortion and a very linear frequency trend to 20kHz. DN14.300T is a perfect example of our comprehensive range of high performance HF and LF transducer products, all designed at our state-of-the-art R&D Center in Potenza Picena, Italy. - 36 mm (1.4 IN.) THROAT EXIT - 220 W PROGRAM POWER HANDLING - 75 mm (3 IN.) EDGEWOUND CCA VOICE COIL - 109 dB/SPL SENSITIVITY - 500-20000 Hz FREQUENCY RANGE - 1200 Hz RECOMMENDED CROSSOVER - TITANIUM DIAPHRAGM AND SURROUND YOUR GLOBAL PARTNER FOR TRANSDUCERS: FROM CONCEPT TO DELIVERY WWW.LAVOCESPEAKERS.COM

structions, truss systems and rigging Trusses literally form the basic framework of event technology. From small city celebrations to festi- vals with large numbers of visitors: trussing forms the basic structure for every stage. The fact that the correct construction and securing of trussing structures are absolutely essential, but are often neglect- ed, is unfortunately demonstrated over and over again by accidents. The collapse of stages and struc- tures is not only expensive, but also dangerous for all artists, technicians, riggers and roadies involved. built safely, there are special training courses in which participants learn the correct and safe handling of trusses and the special aspects of rigging. Graduate engineer Klaus Köberle has been teaching of experience. ular TV shows from my early childhood. Then, during my school years, I was able to get involved with professional event technology in the early 80s. That was a time when you still had to make mistakes yourself in order to learn from them - education and training opportunities were non-ex- istent back then: “Survival” based on “Learning By Doing” and “Trial And Error”! I have been self-employed since 1990 and, after completing my studies in architecture, I have also worked since 1997 as a lecturer in event technology at colleges, master schools and academies, specializing in statics, rigging, slings, truss- es and occupational safety. My voluntary involvement in task forces, in associations, in working groups of the em- ployers’ liability insurance association and in examination boards has broadened my horizons and I have also been able to contribute to the creation of curricula and the devel- opment of new courses. Now in my 15th year, I and my engineering company are providing rigging services for the Munich Olympic Park, with a focus on the Olympic Hall. 2 INTERVIEW

Basic requirement: High-strength aluminum with the clean weld seams. of a manufacturer, e.g. in terms of color or anodizing, local availability (delivery capability) and possible delivery times in the case of long transport routes should also be taken into account in the purchase decision. 4-point trusses in 29 format with double-cone connec- tor technology have the largest market share. A square cross-sectional shape (4-point truss) with truss struts/diag- onals on all sides is particularly uni- versal in use. Even with smaller for- structures can be realized, especially if the wall thickness is somewhat thicker (at least 3 mm). Generally speaking, systems with thicker walls are more robust, which has a positive effect in terms of wear and durability, especially in rough stage construction. In Europe, manufacturers like to use a 50 mm belt tube, but this cannot be combined with scaffold clamps with 48.3 mm (EN scaffolding stan- dard). If compatibility with scaf- folding is important - and it is in the heavy-duty sector as well as in stage construction - a belt tube with Caution is advised when buying second-hand trusses that have been subsequently powder-coated. Powder coating makes the entire “history” of a truss element disappear. Such trusses then often have an optically as good as new appearance, while the coating makes all the damage to a truss as if covered with snow and no longer traceable. that’s clearly proven by the number of accidents. However, there is certainly an estimated number of unreported cases, Common misconceptions and errors are: The assumption that trusses have “hidden safeties”. The assumption that load introduction or removal can occur at any position, such as with an IPE steel beam. First, you have to consider: steel or aluminum? For probably over 99% of users, this decision is clearly in favor of aluminum - which, like steel, is of course available in a wide variety of alloys. Actually, only very few alloys are suitable for the construction of aluminum trusses. The most commonly used material today is high-strength aluminum easy to machine and weld. The tendency to corrosion is relatively low - an increasingly thick oxide layer forms over time, which pro- tects the aluminum underneath from further corrosion. Then, of course, you have to con- sider the statics. Static calcula- tions should be mandatory for all systems that are not intended to serve exclusively decorative pur- poses. Among other things, the following points are important: What span? What load-bearing capacity? Which cross-sectional shape? Which connection technique? Which framework? Which wall thickness? Use as bending beam or support/tower or universally both? The welding of aluminum itself is still a real craftsmanship, My recommendation: You should only buy from manufac- turers/dealers you know - ideally with German or European jurisdiction. It is worth taking a look at the manufacturer’s entire product range: What accessories are available for building towers? Which corner elements/special parts are available for the system? The smaller the cross-sectional shape of a truss, the larger is usually the accessories program of a manufacturer, where- as the corner and accessories program in the heavy-duty sector is rather “overlookable” and is often only manufac- 4 28 INTERVIEW

INTERVIEW with Christian Hertel from inoage / MADRIX Hello Christian! We are happy to interview you today! Most of our readers will surely already know you and your company. Nevertheless, would you please introduce your- My name is Christian Hertel and I am one of the three managing directors of the company inoage GmbH from the beautiful city of Dresden. In our company I am responsible for the support of the worldwide specialized trade and distributors. I was lucky enough to meet Sebastian Wissmann (head of software development) and Sebastian Pinzer (accounting) at the HTW Dresden. The three of us studied General Computer Science at the University of Applied Sciences in Dresden and founded the company inoage, which is behind the brand MADRIX, while we were still studying. Your company is called inoage and was already founded in 2001 - but in the event industry, where you have a big name today, many only became aware of you years later. Thank you very much for the compliments (laughs)! The fact that MADRIX is so well known in the event industry today took a lot of energy, time and money, but at the same time it was a lot of fun for us. That‘s right, in September 2001 we founded the company inoage. The year 2001 was not the development. 2001 was the year in which many investors 32 INTERVIEW the New Market. Unfortunately, the pictures from New York remain unforgotten for all of us. inoage specialized in software development services in 2001. For example, our team developed innovative prepress soft- ware for sdz GmbH that enables the personalization of print articles. With other projects, such as for Audi AG in Ingol- stadt, arge tp 21 - TÜV | DEKRA and Magix Development, we earned money, which we immediately reinvested in the MADRIX brand and in the improvement of our own products. With the help of all these projects, the software development team was able to build up excellent core competencies in beginning, which today enable us to realize everything that exactly MADRIX is all about. We came from the usability / approach to the innovative user interface of the MADRIX soft- ware is a major key to its success, as are the complex image and sound algorithms that are all now in the product.

XXIII Olympic Winter Games 2018 in PyeongChang, South Korea it was the highest tower in Thailand at that time. Sebastian Wissmann and the software developers had only a few weeks to prepare and test the MADRIX software for this number of top of the tower is still running today. It is still running stably with the now 12 year old MADRIX 2 software. The second project we, and our distribution partner in Spain, are very proud of has received two prestigious awards: mondo*dr Award 2017 - Global Winner and mondo*dr Award 2017 - Best Nightlife Venue. It is a spectacular club installation project by LEDSCONTROL from Spain. In the third project, MADRIX software controlled tens of thou- sands of LEDs at the opening ceremony of the XXIII Olympic Winter Games 2018 in PyeongChang, South Korea. Over music. It was a magical moment, just something very special to watch on live TV. At the moment (January 2021, editor‘s note), the industry is down because of the Corona pandemic and hardly any projects are being implemented. But let‘s look to the future: What do you hope for in the coming With MADRIX, we can offer our specialized trade and customers products that are versatile. In the last months we have been allowed to deliver our products to many small club installations, private party cellars, Ferris wheels, architectural projects, media facades, light installations, art through this Corona pandemic relatively unscathed. We are looking forward to the time after that and are hopeful to survive such a pandemic well. Christian, thank you very much for the interview! We wish you all the best for the future. Thank you very much! I wish you much success and, above all, good health. There will be a time after the Corona pandemic. Let‘s just use this time even more intensively! Stay healthy. 4 34 INTERVIEW

Home office - but with a flair! after before TREND

lifelike leaves 38 TREND

ASW Western guitar Comfortable armrest thanks to flattened body edge The DIMAVERY ASW-60 acoustic guitar impresses with its sound, looks and high-quality components. First and foremost: the solid rosewood body, which provides brilliant and powerful sound. The solid spruce top contributes its part to the assertive and well defined tone. Also made of rosewood is the fin- gerboard left elegantly unadorned on the mahogany neck. D‘Addario strings run between a bone nut and the rosewood bridge. Visually, the ASW-60 also offers a few special features: An elegant binding runs around the rounded body on the front and back. The soundhole decora- tion is enhanced with subtle pearl effects. And on the top of the body runs a slight shaping, which not only looks elegant, but also provides a very comfort- able rest for the right arm. Of course, the ASW-60 also comes with a pickup system including 4-band EQ, integrated tuner and phase switch. 2

ORANGERIE ERLANGEN © Pictorello Erlangen © Pictorello Erlangen © Pictorello Erlangen 42 REPORTS ERLANGEN IN A NEW LIGHT illuminated For the production of the calendar “About Erlangen”, Florian Popp (Flight Entertainment Production Group) from Bubenreuth the orang- ery in the Erlangen castle garden with the support of Stefan Krautz (Special Event Service) from Fürth. He used 28 EUROLITE LED Akku UP-4 QCL bat- tery-powered spotlights. Within only 1.5 hours, the pictures of the illuminated greenhouse and orangery were taken.

TIPS & TRICKS FOR LIGHTING DESIGN FOR LIGHTING DESIGN Whether it’s a theater, a show or a concert: If you want to impress with your lighting equipment, you also have to think about the lighting de- sign. But what exactly do you have to consider here, what mistakes should you avoid and what tricks can the experts give you? These are signer Andreas Zöllner: Tip 1: © Paul Gärtner Light must illuminate something Light alone cannot be seen. Only when it illuminates something, It can unfold its effect. So you always need an object or a carrier to illuminate. There are essentially three possibilities for this: A bright surface such as a wall, a ceiling or a backdrop, can be wonderfully illuminated. Light bars, for example those of the EUROLITE CBB series, are perfectly suited to be placed directly against such a surface and to illuminate it over a EUROLITE LED CBB-2 COB RGB Bar LED light effect bar with RGB color mixing, incl. IR remote control EUROLITE LED CBB-6 COB RGB Bar LED light effect bar with RGB color mixing, incl. IR remote control 44 TIPS & SERVICE

Tip 2: Illuminate people appropriately Actors on a stage should be easy to see. The best light for this is neutral, white light. As a short-term effect, color- ed light is okay, but human skin looks threatening or unhealthy under colored light, and you also don‘t see facial ex- pressions as well. Therefore, colored light should be used on a surface behind the actors or in the fog shining forward and a white light from the front. The light should fall on the face in such a way that the eye area are always illuminated. If these remain dark, one could think that Grim Reaper is looking at you. The light should also not come from below, as this casts the facial shadows of the mouth, nose and eyes up- wards, making the face look like a grimace. An angle of 45° from above is considered ideal so that the actors are not too dazzled and their eyes are still well lit. EUROLITE LED PAR-64 COB 3000K 100W Zoom bk In the classic housing there is a LED spotlight with very bright, white light in very good quality and a zoom optics. 46 TIPS & SERVICE By the way, the light should also not come frontally from the front: This makes a body look two-dimensional. It is better if the light comes from two directions slightly to the side, this makes a body look three-dimensional and natural. Especial- ly for mobile setups with tripods, this can be easily accom- hind on the head and shoulders. This makes the body stand out from the background and looks like natural light on a sunny day outdoors, which gives the scene a positive aura.

Tip 4: How do you nd the right colors? waltz is not green, a forest scene is not red and the Yellow Often the piece or the scene already gives you a clue. In Submarine, the Lady in Red or Purple Rain. But also where or at what time of day the piece takes place can be a deci- sive clue. If you think about the content of a scene or a play and close your eyes, a suitable backdrop and the colors that can be found in it often appear in front of your inner eye. © JAROSUFFNER EUROLITE LED IP PAR 12x9W SCL Spot Perfect colors thanks to 7-color LEDs, fanless design and weatherproof housing: A But psychology can also help us, as every color also has a psychological meaning. Thus red stands for love, pow- er and strength, but also for blood, punishment and pro- hibition and is altogether a very exciting color. Orange is a fun-loving color and stands for sociability, curiosity and the romantic sunset. Blue stands for truth and constancy, but also for great expanses, coolness and the night and it is very calming. Green means hope and symbolizes nature, but since there is no green light in nature, green light is also a color for mystery. If you search for “color psychology” on their effects. What you should not do is exaggerate the use of colors too much. Because the use of colorful light quickly appears chaotic and exaggerated. If different colored light meets each other, it also mixes to a “dirty” white. 48 TIPS & SERVICE

WHITE IS NOT JUST WHITE Or: Why white light is an art WHEN THE LIGHT HITS THE STOMACH: CATERING Let’s imagine we’re invited as guests to a wedding. The buffet tempts us with all kinds of delicacies. But on closer inspection, the salmon looks gray and the roast black. The vegetables look somehow pale and the bread has a greenish tinge. Our brain signals: Caution, this can’t be really healthy. Our appetite diminishes. But this has nothing to do with the food itself; the food can be of the very best quality. If the light has a green or blue cast, the illuminated objects appear unnatural. This applies to food just as much as to people or exhibits. It therefore makes just as much sense to use good white light for buffet lighting as it does for theater productions or trade fair presentations. CRI 100 CRI 90 CRI 80 CRI 70 50 TIPS & SERVICE

YUPER DUPER! Crisis, opportunity or both at the same time? The Corona pan- demic is presenting the entire event industry with unprec- edented challenges. One company that has adapted to the new circumstances over the past year is the agency YUPER entertainment. We spoke with founder and owner Maximilian Kuhbandner about the past twelve months. product: the OnlineRental yupermarkt.de. A kind of online store for private and business customers. This works on the platform principle and was well received throughout Germany. We had a lot of rentals. Of course, this has changed completely with COVID-19. Both our event business and the online rental are completely on hold. Hello Max, thank you very much for being available your company to our readers? Sure. YUPER entertainment is a creative agency with media and events. i.e. moving images. On the one hand, we produce eos, social media clips and, on the other hand, live broadcasts (currently in great demand). Thanks to The Media division, as the name suggests, is all about multimedia, such as websites, online stores, social media, podcasts, telecommunication systems and much more. As a third area, we have incorporated the event area a few years ago. Here we plan and realize events of all kinds. For us, these areas are always more about the combination than the respective indi- vidual area. Our customers appreciate exactly that. In short: All Inclusive! As an example I always refer to a compa- ny event. We can plan and realize it, produce suitable invitation which shows the whole thing afterwards in a correspondingly valuable way. On March 27, 2019, we expanded the event area with a creative 2 52 INTERVIEW Maximilian Kuhbandner The Best of Events in Dortmund was the last trade show you visited before Corona forced us for 2020 at that time? The fair was great. We were top motivated, al- ready had ideas for upcoming events and also made great new contacts. 2020 would have been the second summer for our online rental. This one just fell through completely, but we are still moti- vated. 2020 hit our whole industry hard. No concerts, no festivals, no trade fairs - what control measures came into force? I thought to myself, “This is going to be damn tough on our event suppliers.” I then also spoke to some right away and asked about their plans. The opinions were mixed. But it was clear to me ear- ly on how drastic the whole thing was going to be, because we also have connections to Asia through merchandise productions, where it became clear very early on what was going to happen. How did it go on for you then? We watched how little by little all restrictions came and event after event was cancelled. The event sector collapsed com-

S P O I LT F OR C HO I C E: W h i c h c l a s s i c t h e a t e r s p o t l i g h t i s r i g h t f o r w h i c h l i g h t i n g t a s k ? Flexible beam angle: PC AND FRESNEL LENS SPOTLIGHTS lenses were brighter in the center than on the outside. Today, however, this is almost irrelevant. Since the illuminant or the lens of these “simple” lens spotlights can usually be moved on a slide, the beam angle can be simultaneously changed as well. The two types of spot- lights are very similar and differ only in their inner lens: The PC (“plan-convex”) the other. The Fresnel lens, on the oth- er hand, has circular prongs instead of the curvature. Thanks to this feature, the stepped lens can have larger diameters with- out becoming very thick and heavy. That's why nowadays mainly the small designs are equipped with PC lenses, larger spotlights with Fresnel lenses. In the past, Fresnel lenses produced an extremely uniform light, while PC 54 TIPS & SERVICE

Available in three versions, each with 100 or 200 W If you don't need an adjustable beam angle, it's worth taking a look at the Theatre 100 and Theatre 200 series from EUROLITE. The spotlights are each available in three versions. They carry a 100 watt or 200 watt LED. The WW variant produces the classic warm white light, while the WW/CW variant can produce cool white and warm white light and mixtures of the two. Both variants have an excellent CRI value of over 95. The third version is based on an LED unit with red, green, blue and warm white and is ideal for colored lighting, but also creates a very usable white. Unbeatable in the long run: PROFILERS Back to the classic theatrical spotlights. can produce a sharp beam of light. This is important, for example, to high- light a person from a scene or to pro- has another important feature: it can also produce soft light and carry this over long distances without this light illuminating the space in between. For example, if you have spotlights hang- ing in the theater auditorium to illumi- nate, then it is important that the light actually reaches the stage and does not illuminate the auditorium itself. because a high-quality lens is a ba- sic requirement for a sharply outlined beam of light. And yet, even smaller cause prices have fallen dramatically in recent years. With the EUROLITE LED PFE-50, for example, you can get a complete spotlight for well under 400 euros that produces an excellent and surprisingly bright light for its size. For large stages with greater distances, for with zoom optics from FUTURELIGHT are recommended. TIPS & SERVICE

hazebase - The transformation of the brand towards new product innovations hazebase has used the time to realign itself both in terms of partnership and strategy. The result is an innovative product portfolio. The path of transformation In the past, product innovations often fell by the wayside because hazebase was dependent on one development partner who supplied several manufacturers. New ideas were therefore developed for all manufacturers, resulting in less uniqueness for each brand. In mid-2020, hazebase owner Uta Raabe therefore decided to break new ground. hazebase entered into a partnership with Jumptronic GmbH from Springe and jointly developed three new product lines. The many years of experience of the two engineers Rüdiger Kleinke and Henning Kluge in the development and production of haze and fog machines played a major role. Together with the hazebase US base in Charlotte, North Carolina, USA, time is now being used wisely to develop new machines with Jumptronic that are pre- cisely tailored to the wishes and needs of customers. All fog machines are of course produced in Germany, which is highly appreciated by foreign customers in particular. As of today, four new products from haze- base are already available. Detailed product information can be found at www.hazebase. classic 2 piccola 1700 Watts 200 Watts DMX/RDM DMX/RDM 15m Fog putput 1,3“ OLED Display Battery Operation Case Included ultimate 3300 Watts IP64 DMX/RDM 1,3“ OLED Display highpower 2 3100 Watts Nozzle changeable 20m Fog putput DMX/RDM

22 Button LED colors. These colors symbolize the radio frequency and must be set the same for all spotlights, so after pressing the button they all light up in the same color. Shortly after, the transceiver on ceiving a signal. Now all “slave“ spotlights follow the master. We set the color red on this one as a test: All the spotlights light up in red. Even when we call up an automatic or music-controlled program, all spots do the same. The master can now also be set via the infrared remote control, all other spotlights take over the setting. 33 TIP slave mode and becomes TIPS & SERVICE

success story between SIB Rimini 1992 Lambada and Coachella At the beginning of the 1990s, there was a spirit of optimism: the world was In 2002, the TMH-3 DMX debuted as 62 REPORTS

64 REPORTS

Coachella (California Desert) Ultra Music Festival (Miami) 66 REPORTS

68 REPORTS

WITHSTANDS THE PRESSURE. ROADINGER cases bring the reliability and robustness of event technology to other ar- eas of everyday life. Because why should documents and laptops be less well pro- tected on the road than moving heads and mixing consoles? ROADINGER’s protective instinct does not stop at the edge of the stage. The range ex- tends from cases and racks for event equip- ment to document and laptop cases. ROADINGER: WE PROTECT YOUR GEAR. NEW ROADINGER Laptop-Case MB-13 Dimensions: 40 cm x 26,5 cm x 9 cm Suitable for 13“ laptops ROADINGER Laptop-Case MB-15 Dimensions: 44,5 cm x 29 cm x 9 cm Suitable for 15“ laptops practical compartments padded interior lockable snap locks robust carrying handle 70 PRODUCTS

Press release Steinigke Showtechnic GmbH supports the initiative #handforahand Donations go to technicians, stagehands and roadies in need through no fault of their own Waldbüttelbrunn, February 04, 2021: Since the Corona crisis in Germany and many European countries has de facto banned events for months, self-employed lighting, stage hand initiative supports these people in need through no fault of their own quickly and “As a manufacturer and wholesaler of event technology, we have been deeply rooted in the maintained a relationship with our customers the corona pandemic is hitting the entire indus- try hard, we feel it is our duty to also support those who have remained loyal to us for years,” says Matthias Schwab, Managing Director of For this reason, Steinigke Showtechnic not only supports the initiative with a direct donation, but also draws attention to the campaign through as a multiplier here,” explains Anja Metz, com- pany speaker; “the more attention the initiative tential donors and potential recipients have to to have Steinigke Showtechnic as a strong supporter on our side, who knows and un- On behalf of the entire association, I would like to thank you for this great commitment in have nowhere near the capabilities we have to mitigate pandemic impacts of those who Contact information: Anja Metz Steinigke Showtechnic nations and distributed much of it to those in need, after assessment by an TIPS & SERVICE

Light show to go We are introducing: LED KLS Scan FX from EUROLITE There is a new model in the “Next” generation of the KLS series from EUROLITE: is equipped with 4 spots for the colored basic lighting, UV LEDs for the popular black light effect and a derby effect for the party atmosphere. However, the special feature of this bar is the two integrated scanners. They hardly need any additional space and still offer a gobo wheel and a color wheel. The two scanners are each equipped with a very effective 15-watt LED. 74 PRODUCTS

I‘ve been playing video games ever since I can remember. In reality, I‘ve also always been a competitor in things like basketball, chess, martial arts, and anything else sports re- lated. I have always strived to “be better than yesterday“. That‘s how I found my way to the YouTube platform. There I started early to watch “Let‘s Play“ or tips/tricks/guides to son shooter) games early on, back then on the PlayStation 2. I then found my way to competitive online shooters with Call of Duty MW2 in 2009. From then on, I was blown away by the idea of becoming the best and helping other people with questions and with small tweaks. Now I‘m old enough, good enough, and have the resources to pursue it. I play almost exclusively shooters in my streams on Twitch, espe- cially Call of Duty. 2 2 RUBRIK RUBRIK TREND

and the motto is: the more adjustable RGB lights ther are, the better! It also makes the overall production look more premium when the streamer is properly lit. I always try to give my audience the best viewing experience possi- ble, and good lighting is a must. For one thing, lighting is a great way to separate yourself from other streamers. If you do it right, it also makes your setup look more professional. So the thought was already in my head. A very good friend of mine works in the event industry. At some point when we were talking I put 1 and 1 together and decided to get lights and effects though him. The event tech offers affordable lights and effects that do a great job! It just pays to think outside the box. Streaming is not possible without a camera, so it is of course important that therefore be able to emit beautiful, soft or even colored light, be easy to set up and ideally be controllable via app or computer. Most streamers are not as tech-savvy as you might think, so it‘s important that the lights are easy to set up and give off good, beautiful light. Louis, we thank you very much for this quick insight into the world of gaming and streaming and wish you continued fun and success! LED light effect bar with RGB color mixing, incl. IR remote control Flat spotlight with 3 x 8 W RGBW LED, QuickDMX transceiver & bracket 4 478 RUBRIK RUBRIK TREND

THE EXCITING PICTURE PUZZLE Time for puzzle fun! ten differences

VOCALWORKSHOP: GRUNDLAGEN & PRAXISTIPPS 1 0 Nr. 01/2021 B 1977 E Deutschland EUR 5,90 Österreich EUR 6,70 Schweiz sfr 10,90 Luxemburg EUR 7,20 Italien EUR 8,30 www.facebook.com/ soundcheckmagazin www.soundcheck.de 9 0 9 5 0 0 7 7 2 7 9 1 4 D A S B A N D M A G A Z I N TESTHIGHLIGHTS Tragbare Kompakt-PAs: Bose L1 Pro8 & Pro16 Top-Vocal-Mic: Sennheiser MD 445 Kabeloser Kopf hörer: Shure AONIC 50 WORKSHOP MIXDOWN FETT & DRUCKVOLL Bässe optimal abmischen TRANSATLANTIC Bandleader Neal Morse über das Opus Magnum der Prog-Rocker Infos, Hintergründe und Wissen für die ganze Band in nur einem MAGAZIN! !! R A U N A J N I Z A G A M D N A B S A D Jetzt bestellen auf www.ppvmedien.de Telefon +49 8131 565568 | bestellung@ppvmedien.de Steinigke Showtechnic GmbH Andreas-Bauer-Straße 5 97297 Waldbüttelbrunn Germany Phone: +49 931 4061 600 info@steinigke.de www.steinigke.com